Hugh Grant has identified the picture he would like to delete from his vast discography, describing the endeavour as “poor.”
Love Actually, Paddington 2, Bridget Jones’ Diary, Notting Hill, and Four Weddings and a Funeral are among the features directed by the 42-year-old.
During an interview on James Corden’s Late Late Show, he was candid about one that he didn’t particularly appreciate.
The Hollywood legend joined the presenter and his Dungeons & Dragons co-star, Chris Pine, in a game of Spill Your Guts and didn’t hold back.
He was once charged with consuming a “worm mayonnaise shepherd’s pie” or choosing the picture he would delete from his IMDB profile.
‘The thing is, I would happily shred my IMDB page, my CV, because I specialized in being bad for decades,’ he replied. ‘I got better…
‘As you know, as someone in the industry, it’s one thing for me to say I was bad but I can’t bring down the rest of the wonderful colleagues who worked with me on any film by saying it was bad.
‘That’s my dilemma.’
Chris and James were fed up with his procrastination and demanded that he respond or consume the meal.
Hugh ultimately called the 1988 made-for-TV film The Lady and the Highwayman, in which he played Lord Lucius Vyne.
‘I’m a highway man. I’m meant to be sexy,’ he described. ‘Low-budget, bad wig, bad hat. I look like Deputy Dawg.
‘When I’m tense, my voice goes up two octaves. Deputy Dawg would come leaping out of trees when a carriage would come past and go, “Stand and deliver!”
‘It’s poor.’
After the poster flashed up, the Bafta-winner insisted: ‘I apologize to all of my wonderful colleagues on it.’
Hugh recently made headlines when he disclosed in an interview with Wired that his favourite movie is The Sound of Music, confessing that it is a controversial decision at home.
‘It’s a difficult situation,’ he confessed. ‘I’m married to a Swedish woman who comes from the north of Sweden where men are really men, they’re so manly they hardly speak and they chop wood.
‘What they don’t do is watch The Sound of Music in the afternoons and sing along with the mother superior when she sings Climb Every Mountain.
‘And they certainly don’t cry when the father, Christopher Plummer, is touched by his children singing and then joins in. But I do cry.
‘But it’s impeccable, the film is impeccable, there’s not a single moment I don’t love and I sometimes go to those – you know you can have a whole party where you screen the film and everyone dresses up as the characters.
‘I think it was Elton John’s 60th was like that. I went as the Baroness’.