Iggy Azalea has denied making a fortune on OnlyFans in just 24 hours.
The 32-year-old Australian performer rose to prominence in 2011 after releasing a string of successful singles and collaborating with major artists such as Ariana Grande.
Iggy is back with her new project Hotter Than Hell, for which she has joined the often explicit portal OnlyFans.
Before the release of her fourth album, the celebrity promised that she will be posting unedited photos, videos, and even poems on the platform for a $25 (£20) monthly subscription.
Soon after joining the site, the mum-of-one was said to have earned an eye-watering $441,500 (£360,000) in just 24 hours.
However, the Problem artist has now rolled her eyes at the amounts being released and stated that she will never reveal her earnings.
Taking to Twitter on Tuesday, the musician said: ‘I won’t share what I make on OF, in the same way I didn’t share what I earned selling my music catalog.’
She warned that the figures being reported ‘don’t come from a valid source,’ but went on to thank her fans for ‘supporting’ her.
‘Crazy excited for where things go!’ she added. ‘Hot a** summer on the way!’
Iggy had previously responded to a Twitter account reporting the figure saying the number was ‘pulled outta thin air (sic).’
‘Lol, y’all just be saying s*** to say s*** at this point causes that number was pulled outta thin air,’ she wrote.
Iggy, who has a two-year-old son Onyx with ex Playboi Carti, has previously expressed her excitement for the Hotter Than Hell project, recently saying she had been working on it ‘for six months already.’
‘I’m excited and scared to start releasing it to the world, layer by layer,’ she explained.
She told Variety that she became interested in OnlyFans after learning that she could be ‘creative’ with it, but she ‘didn’t anticipate to be cooperating with them on my largest endeavour to date.’
OnlyFans, I realised, was the ideal venue for launching a multimedia proposition.
‘I feel excited about not having to worry about the overwhelming and creatively limiting censorship artists have to navigate when sharing work on other digital platforms.’